Dakota Fanning received an Emmy nomination for Outstanding Supporting Actress in a Limited Series for her role as Jenny in Peacock's "All Her Fault," a drama centered on a mother's son who vanishes during a playdate. Sarah Snook stars as Marissa, the boy's mother, with Jake Lacy as her husband Pete, Abby Elliott as Pete's sister Lia, and Michael Peña as Detective Jim Alcaras. Fanning shared news of the nomination while on set for an upcoming untitled Apple TV+ thriller, in which she stars as an undercover treasury agent and serves as executive producer. She described the role as challenging, involving unscripted scenarios that required quick adaptation. Stellan Skarsgård, Grace Gummer, Darly McCormack, and Joely Richardson co-star in the series. Fanning also executive produces and stars in "The Sun Never Sets," a Joe Swanberg-directed film about a modern love triangle, set for nationwide release on September 4. The film premiered at SXSW and features Jake Johnson and Cory Michael Smith alongside Fanning. Separately, her sister Elle Fanning earned an Emmy nod for her role in the Apple TV+ comedy "Margot's Got Money Troubles." Dakota said she was thrilled for Elle, who missed her call due to being seated behind Queen Camila Parker-Bowles at Wimbledon. The sisters also completed filming "The Nightingale," an adaptation of Kristin Hannah's novel, which they are producing and starring in together. Dakota described the experience as deeply personal, recalling a powerful scene captured by cinematographer Chong-hoon Chong that she said encapsulated their journey. Post-production on the film is set to begin shortly.

💡 NaijaBuzz Take

Dakota Fanning navigates high-stakes drama both on screen and off, balancing an Emmy-nominated performance with physically demanding undercover scenes in her new series. Her collaboration with sister Elle on "The Nightingale" adds emotional weight to a career increasingly defined by intense, sister-centered narratives. The personal resonance she describes in "The Sun Never Sets" mirrors her real-life dynamic with Elle—blurring lines between childhood memory and professional identity. This convergence of family and film suggests a deliberate shift toward roles that reflect intimate, lived experience.

Editorial note: AI-assisted opinion, not established fact. Full disclaimer →